CINEMA PHOTOGRAPHY AND TELEVISION
- Overview
- Assessment methods
- Learning objectives
- Contents
- Full programme
- Delivery method
- Teaching methods
No requirement.
Oral examination will test the acquisition of the fundamentals of film and television history, project work - to be carried out individually or in small groups - the application of knowledge of audiovisual language and audiovisual analysis.
Syllabus on Leganto and Elearning Platforms
The course aims to provide basic knowledge of the history of Italian cinema and television and an understanding of possible forms of representation, documentation and enhancement of the landscape.
In addition, knowledge of the forms of audiovisual language, development of the ability to analyze images and audiovisual materials, and the ability to conduct research on sources of film criticism and archival documents are objectives of the course.
The course will alternate between a historical path dedicated to the evolution of media, with particular reference to Italian cinema and television, and an analytical path dedicated to forms of landscape representation. Case studies will develop the ability to understand how visual/audiovisual productions of national scope, but not only, contribute to delineate the imaginary of a landscape and constitute an economic driver in a territory.
After a historical part of the evolution of the media landscape, we will continue with case studies on the forms of representation with particular attention to some landscapes (urban, seaside...) and finally we will carry out an in-depth study on cine-tourism as a tool for the construction of the tourist experience.
Weeks 1-6 - Introduction to film language. History of Italian cinema and television. Film analysis.
Weeks 7-9 Introduction to cine-tourism, Film Commission and Film Fund territorial promotion policies, Heritage Film.
Weeks 10-11 project work.
The course is based on the following teaching methods:
1- Traditional lectures
2. Dedicated power points, especially for iconographic materials
3. Viewing and analysing films and photographic materials
4. Presence of external guests